fall fashion looks

MISSION STATEMENT 
Rhett Industries Productions will produce a Gangsters film combining film noir style with the high artistic quality and appeal of a studio film. Rhett Industries Productions plans to release the film through large distributors in  numerous amounts of theaters across America and worldwide, using all the practicable markets and platforms such as video on demand and streaming entertainment services.  

​Characters Descriptions

JIM
Marie and Johnny's son. A joyful and cherished boy, super heroes enthusiast and very close to his father.
Jim has been the apple of his parents eyes and what really kept them together. For years, a gap has been growing between the pair due to
their obscure past and what they never confessed to each other. When Jim gets kidnapped, he becomes the “spark” that brings them closer and helps them learn about each other.

SYDNEY ADAMO
​ A femme fatale style character. Psychologist fascinated with flowers language and hypnotherapy, Sydney uses these
tools to lure Marie into a manipulative and dangerous relationship. She is a powerful mafia boss daughter and uses her position to discover the secrets Marie may hide…

MOLLY PARKS
Professor Molly Parks. Smart. Single. Independent. She's Marie's law teacher and slowly bonds with her,
following her distress due to Sydney's threats. She quit practicing after a traumatizing case, but makes the decision to become Marie's
attorney in the eventuality of a trial against Sydney and becomes her lover as she needs comfort after her son's kidnapping.
Molly will turn out to be extremely jealous and emotionally controlling, the kind of person who would be able to kill for love...

​

GINA GATTO
​

​JOHNNY
Marie's husband since 20 years. They met when they were nearly kids. More tormented than he may look at first sight, Johnny is an artist. As trying to find a new perspective for his creations, Johnny becomes a rooftop photographer and an involuntary observer of all the city's darkest secrets…In the script, his LENS POV continuously witnessing and capturing all crimes and sins is reminescent of movies such as “Blow Out”.

 MAN ON THE BENCH
He's a senior whom Johnny spotted
through his lens. The old man used to sit on a bench facing their building and feed pigeons. A mysterious being who fascinates Johnny somehow. He compares him to an enigmatic character in a painting, trying to figure out who he really is, and what he's thinking. Is he sitting there to watch someone? To protect someone? Obviously the old man is not the one he seems to be...

​
MICKEY
Benito Gatto's son. 30, big cocaine dealer. He's the underboss, the second in command in the Gatto's family and he's
trying to get back what Ferro stole from them.

​

MARIE
 Law student. Marie has been suffering from depression and repressed memories for years. A disorder induced by a traumatizing past she's been trying hard to forget. She may look fragile, but might be redoubtable. Imagine these tiny spiders you don't really notice, but that actually are the most dangerous of all…
​

 ​GARY ADAMO
 A psychopath and corrupt cop, who's been covering up mafia crimes for years. The underboss of Mafia chief Don Ferro,
Sydney's father. Gary Adamo enjoys beating prisoners, extreme forms of torture and getting his hands dirty and may kill anyone who would
dare to stare at him.

VITO FERRO
The actual mafia boss. Vito Ferro has been tormented by the potential return of Benito Gatto for years, and is both
fascinated and terrified by a painting of Goya, which he keeps into his lair, and watches for hours: Saturn devoring his son. A metaphor
for what might happen to him in the event of Gatto's return…

​  
​HUGO COLLONA
​A new recruit in the Ferro's family. Nervous, enjoying the sight of blood. Collona killed his father's pregnant
fiancée when he was a teenager and immediately caught the eye of Gary Adamo, who was investigating the murder at this time and covered up for Hugo…Avoiding jail, Hugo was transferred into Sydney's clinic, the cradle
for most Ferro's recruits. He aims at becoming a capo in Ferro's clan.

​PRODUCER'S VISION

There is a persistence of vision that can create different illusions.
The ideas I see through the unique POV of Johnny's
camera lens as well as many other POV's  are all of such importance. As far as
pre-visualization and rehearsal goes, I, as the producer believe in
the positive effects of a table read. I do however feel after that
point there would be no more rehearsal as to save the freshness of
the scene and dialogue between actors at its rawest performance. The
director may or may not want to use a storyboard. This will depend on
the director. The story itself I envision like no other film. 
It has some points of truth and a lot brought deep from Jordan
Tate's imagination. One that will catch our audiences at every
corner. It’s a very authentic Mafia Family film. Yet it has added
genres which will stand out to audiences worldwide. The beginning
ties into the end with many plots and subplots falling in between.
Screenwriter, Jordan Tate, envisions a film noir style film. My
thought is the scenes from the past, for example Marie’s nightmares
throughout the script, be the film noir style. When we enter into the
present I would love to see the opposite. A classy wardrobe with
vibrant colors and all the latest fashion. This story along with very
unique and fitting locations will render a box office hit. One that
may even be a favorite for years and years to come. 

---